Freshman Writing Seminar

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The Freshman Writing Seminar, directed by the Department of Literature, aims to enhance the writing skills and literary acumen of first-year students through intensive composition and revision and the study of significant texts and models. Each seminar focuses on a literary theme chosen by the instructor, and each ranges across periods and genres. All of the seminars seek to instill rigor of argument, clarity of presentation, and stylistic grace. Students will be expected to write no fewer than seventy-five hundred words during the semester. Seminars will typically have fifteen students. All CMC students are required to take a section of FWS in their first year at Claremont McKenna College.

Course

FWS 010 CM - Freshman Writing Seminar

Topics include:

The Power of Laughter. Bilger
Comedy draws lines between insiders and outsiders, those who get the joke and those who don’t. By considering what makes us laugh and how authors incorporate comic elements into their works, we will be able to understand important elements of rhetoric and identity. We will read theoretical essays, plays, short stories, and novels that focus on the subtle and complex workings of comedy and laughter. Writing assignments will focus on making sense of laughter through literary analysis and the application of critical theory.
Literature, Religion, and Society. Carhart
This section will explore the relationships between literature, religion, and society in texts that cover a large historical and geographical spectrum. More particularly, we will investigate the roles of religion and literature in society. Our readings will raise subtle questions relating to the construction of meaning, the human condition, and various worldviews. We will ask how religion uses literature, how literature uses religion, and how human beings use both to define themselves and their worlds. Written assignments will develop students’ critical and analytical abilities in formal argumentation.
Utopia and Dystopia in Western Literature. Carhart
This section will explore the relationships between literature, religion, and society in texts that cover a large historical and geographical spectrum. More particularly, we will investigate the roles of religion and literature within society. Our readings will raise subtle questions relating to the construction of meaning, the human condition, and various worldviews. We will ask how religion uses literature, how literature uses religion, and how humans use both to define themselves and their worlds. Written assignments will develop students’ critical and analytical abilities in formal argumentation.
American Dreams: Narratives of Nationhood and Subjectivity. Crockett
In this course we will read and respond to a variety of texts to foster critical thought about the “American Dream.” Each of the works we will read contributes to a larger conversation regarding intersecting discourses of race, class, gender, and nationhood as they complicate contemporary understandings of productivity, success, and privilege in the United States. You will join this conversation by sharing your perspective on the “American Dream” and by applying critical theory to various works. You will thereby flex your critical thinking skills as you practice writing in an organized, thoughtful, and persuasive manner.
Meta: Representations of Reading and Writing in Literature. Crockett
Readers, writers, and books make their way into literary works with remarkable frequency. These meta-narrative representations of literature within literature invite us to take seriously our own reading and writing habits as we perform critical analysis. In this course, we will consider how, and to what end, readers and writers are represented in a wide range of literary texts and films. With the help of critical theories and close analysis of the texts, we will consider how individuals and their respective cultures are shaped by, and contribute to, the history of reading and writing.
How to Do Things with Words. Farrell
In this course you will see how great writers compel the interest of readers and you will learn how to do it too. You will study classic works in each genre and analyze their structure, diction, imagery, themes, and metaphors; you will attempt to employ these elements skillfully in your own writing. You will write at least one page per class, and one or two students will be selected to use the page they have written as the basis for a brief talk on the question of the day. Among our authors will be Homer, Shakespeare, Keats, Balzac, and Yeats.
Magic, Science, and Literature. Lobis
This course offers an intensive introduction to the study of literature organized around two rich and dynamically related themes: magic and science. Both have a long history of shadowing each other in Western culture, and both have long held a certain pride of place in imaginative writing—from Homer to Harry Potter, John Donne to Robert Frost. As we survey a range of literary forms and genres, our primary goal will be to cultivate the art of critical writing. Through frequent writing assignments and extensive revision, we will develop our responses to literature into cogent and coherent arguments.
American Idealism and Pragmatism. McGrath
The American republic is an experiment, a test, Lincoln called it, of whether philosophical ideals can address the vagaries of history. Down the years, the attempt to realize American ideals has proven to be as difficult as reconciling dreams with reality. The result has been a peculiarly experimental literature, one that embodies tension and contradiction, and for that reason finds out the real American life. We will read major American authors, with particular attention to the way writing not only reflects but also discovers the world out there. Student writing will also be a process of discovery, following literary evidence toward new ideas.
Imagining Adolescence. Noel
This course emphasizes critical thinking, sound argumentation in writing, and close analysis of written work. In this section, we’ll read a range of literature and discuss it first in terms of its literary merits and secondly for what it may show about the ways in which adolescence has historically been conceptualized and depicted. You’ll write four papers for this course, three of which will focus on literary analysis; for the fourth, you’ll have the option of writing a creative piece in order to engage with literature not only as a reader/ respondent but also as a writer.
Seriously Funny: The Comic Voice. Puchner
This writing-intensive course will emphasize critical thinking, sound argumentation in writing, and close analysis of literature. We’ll look at the role of the comic in post-war literature, discussing how writers have turned to humor to capture the reality of modern life. We’ll read classics by Beckett, Heller, and Philip Roth, as well as contemporary novels and short stories by Lorrie Moore, Zadie Smith, George Saunders, and Gish Jen, focusing on how these writers use comedy to comment on society, protest political injustice, or expose the absurdity of the human condition.
Heroes and Legends. Rentz
This course looks at some of literature’s favorite heroes, heroines, and villains across a variety of genres, from classical and medieval epic (The Iliad, Beowulf) to drama (The Oresteia, Medea, Macbeth) and chivalric romance (Lancelot). As we read, we’ll pay special attention to imagery, narrative, literary forms, characterization, and plot development. The craft of writing will always be front and center, from short in-class writing exercises to collaborative draft workshops. We’ll work on generating text-based paper topics, crafting fluid and well-structured sentences and paragraphs, and incorporating quotations. Students will complete a series of one-page response papers, an in-class presentation, and three 5-7 page papers.
Animals in Literature and Film. Schur
Why do animals figure so prominently in literature, especially since they do not presumably participate in language? If language is the foundation of literature, how can literature do justice to animals? These are among the questions that will inform our writing in response to both classic and contemporary fiction. We will also consider animals in film, with a case study of King Kong (1933) and its 2005 remake. Special attention will be given to the problem of anthropomorphization: as a rule, this approach to representation and interpretation obscures the human-animal relationship; we will be alert to exceptions, and in search of alternatives.
Detectives and Detection. Schur
We will write in response to texts spanning the history of detective fiction: from Poe’s “tales of ratiocination,” through the Golden Age between the Wars, to the hard-boiled tradition—concluding with a contemporary “metaphysical detective story,” which we will read in both prose and graphic novel versions. We will also consider the relationship between hard boiled detective fiction and Hollywood film noir. Texts—and the genre itself—will be treated less as “established facts,” more as “mysteries to be solved”; texts will also be seen as potential models for interpretation, by analogies we will draw between detection and literary analysis.
Literary Genres through Film. Staff
This course examines the key literary genres of the novel, the short story, poetry, and drama by pairing significant literary texts with cinematic counterparts. The course is less about film adaptations of literary works than about reaching an understanding of distinctive elements of these genres through a study of the differing forms they take in the media of literature and film. Authors will include Poe, Dickinson, Nabokov, Shakespeare, and Chekhov.
The Art of the Essay. von Hallberg
We will study the essay by reading a very wide variety of them. In class discussions, we will focus on the artfulness of our authors, though our objective will not be limited to admiration. We will regard these texts as instances of the range of the genre. The techniques commonly recommended to students concern clarity and economy above all else. We too will talk about these virtues, but our discussions will also examine the roles of imagination, playfulness, and surprise in essay-writing. Our objective will be to open up to each student-author a wide sense of the art of the essay.
Language and Life. Warner
The purpose of this course is to help students become more effective writers. To this end, we will read, discuss, and write about works from a variety of genres—essay, poem, drama, short story, novel. Throughout the course, we will examine the ways that form, feeling, and idea converge in master works of writing. Thematically, our readings center on uses and abuses of language in different personal and social contexts. Our writing concerns will range from the perils and pleasures of punctuation to larger questions of logic, organization, and style, and to the modes of exposition, narration, description, and argument.
The Epic Hero’s Journey - Ancient & Modern. Woelfel
This course will explore the epic hero’s journey – ancient and modern - as a fundamental metaphor for the search for individual identity and social values, and as a site for asking questions about the nature of the universe and human life. We will begin with ancient epic and turn as the course develops to modern instantiations, exploring how the format has been transformed in terms of theme and narrative. Instruction will cover basic skills of literary analysis and critical thinking; assignments will focus on the development of persuasive, intentional academic writing in the context of a literature course.